Emma Watson Emmy Awards

On Sunday afternoon, Emma Watson arrived at the BAFTA 2022 Film Awards wearing a halter dress with a plunging neckline. The black bodice connected to cream-colored tulle skirt that lengthened into a princess train behind her as she walked the red carpet. The window of the dress in front revealed black heels with a pointed toe and beaded ankle straps that wrapped around her legs.

Watson left her long brown hair loose and straight over her shoulders, wearing a smokey eye and carrying a small white clutch purse and wearing long silver earrings.

On Saturday night, Emma Watson stepped out for the Charles Finch and Chanel dinner in the West End, London, as a pre-celebration for the BAFTA awards. Watson was wearing an ensemble in all black, with a blazer over a cutout dress, creating dynamic shapes across her torso. Under that was a high-waisted, short skirt and a pair of dynamic spiraling black and nude thigh-high boots with heels.

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She carried a black bag and had her brown hair swept partly up, the rest curling around her face. Watson kept her makeup very natural for the night, and accessorized with a few simple silver pieces including a bracelet, ring and small earrings.

Elated fans, as she confessed to having had a giant crush on co-star Tom Felton. As Hermione Granger, Watson's character was always in conflict with Felton's Draco Malfoy, but off camera they were good friends. Unfortunately, Watson was 11-years-old and Felton was 14, so he only ever saw her as a “little sister” despite her obvious infatuation at the time.

“I walked into the room where we were having tutoring, ” Watson said. “The assignment that had been given was to draw what you thought God looked like, and Tom had drawn a girl with a backward cap on a skateboard.”

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She continued, “And I just don't know how to say it – I just fell in love with him. I used to come in every day and look for his number on the call sheet, it was number seven, and if his name was on the call sheet, it was an extra exciting day. He was three years above me and so for him he was like, ‘You're like my little sister.’”

Aimée Lutkin is the weekend editor at . Her writing has appeared in Jezebel, Glamour, Marie Claire and more. Her first book,

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Best Actress nomination for her work as Jo March; Florence Pugh has a Best Supporting Actress nomination for her work as Amy March; Greta Gerwig has a Best Adapted Screenplay nomination; Jacqueline Durran has a Best Costume Design nomination; the entire cast has a Best Motion Picture nomination; and Alexandre Desplat has a Best Original Score nomination.

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's release, she spoke about how she feels about turning 30 this year and how she came to embrace being single. I was like, ‘Why does everyone make such a big fuss about turning 30? This is not a big deal…’ she started. “Cut to 29, and I’m like, ‘Oh my God, I feel so stressed and anxious. And I realize it’s because there is suddenly this bloody influx of subliminal messaging around. If you have not built a home, if you do not have a husband, if you do not have a baby, and you are turning 30, and you’re not in some incredibly secure, stable place in your career, or you’re still figuring things out… There’s just this incredible amount of anxiety.

With being single, “I never believed the whole ‘I’m happy single’ spiel, ” she admitted. “I was like, ‘This is totally spiel.’ It took me a long time, but I’m very happy [being single]. I call it being self-partnered.”

Alyssa Bailey is the senior news and strategy editor at , where she oversees coverage of celebrities and royals (particularly Meghan Markle and Kate Middleton). She previously held positions at

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When she's not working, she loves running around Central Park, making people take #ootd pics of her, and exploring New York City.

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